10 Great 2019 Movies You May Not Have Seen

2019 is officially over and now we’re in 2020, a whole new year and a whole lot more to look forward to. 2019 saw a lot of major events happening in the film business. At the moment I’m writing this eight films have grossed over a billion dollars (6 of which being Disney), streaming services like Netflix have been taking over with astonishing works like “The Irishman” – proving that even the old masters are delving into this new breed of filmmaking, and foreign cinema is making major headlines here in the States with films like “Parasite” achieving blockbuster status of success. So, needless to say, there’s a lot of big stuff to see from this year.

But there are thousands of films released every year and there’s no way we can see all of them even if we tried. So, with this list I hope to showcase some overlooked or unknown gems that were hidden away through all the massive stuff going on. Here are 10 Great 2019 Films You May Have Missed, and feel free to announce more that aren’t mentioned here.


1. Apollo 11


“Apollo 11” is the kind of film that illustrates why documentaries are made. There’s no talking heads or any narrator tracking through every moment telling what’s happening. It’s a feeling of watching the monumental space odyssey that occurred 50 years ago as if it’s happening in real time right now. It’s comprised of thousands upon thousands of hours of archival footage and audio recording from the mission in 1969 and that’s all we need. No explanation is necessary for the wonder and awe that this spectacle achieves.

Even though this is clearly a documentary it feels as though you’re watching a work of fiction play out. The footage and audio we’re seeing and hearing is more than enough provide us what we need to know to understand what’s happening. The footage shows a lot of the mundane routines these astronauts went through that we would take for granted, but watching it makes us realize how crucial every step along the way was to making that one giant leap for mankind.


2. An Elephant Sitting Still

There’s a tragic story to be told with this film. It was written and directed by Hu Bo and based off his own novel “Huge Crack”, during the production there was (shall we say) much disagreement between Bo and the producers, and unfortunately this proved to be the first and final film of Bo’s career. Shortly after filming was completed, Hu Bo committed suicide at the age of 29. Afterwards, the film was made in the vision he intended it to be.

A near 4 hour journey through contemporary China, following a multitude of stories and characters in the city of Manzhouli. Manzhouli is a largely industrialized city on the border of Russia and soon becomes a point of obsession for the people we follow in this endeavor. The film tracks through just one day in these lives, from morning till dawn, and how the environment they’re living in is pushing them to where they’re going. The world they live in is one of bleak isolation. The town they’re in is overcast with dark clouds, drowning out any color and life out of every single moment.

In Manzhouli, this city is the busiest land of import in China with railways transporting goods and services all the time. The lifeblood of this area is moving in and out all the time, and their residents are suffering for it. Despite the sound of drudgery, Bo’s film has a beat of humanity and hope within it. These people are people after all, they search for something to let them escape what’s happening. And by the end, it seems like they can finally move and breathe.


3. Ash is Purest White

“Ash is Purest White” tells a romance spread over several years that takes turns and chances. From 2001 to 2017, we watch as criminals and innocents are united in a mess of a relationship that’s unshakable. Bin is a criminal gangster but is strangely everything that makes a man, loyal, resourceful, and intelligent. His girlfriend, Qiao, is likewise everything in return to him despite his getting into trouble. She’s willing to take a pinch for him when he’s caught, even if it means that years of their lives will be lost it still means that after some time they will be together. The surroundings they live in is troublesome, crime and surprises are living on every street corner and only serve to entrap them in a world of violence and gang warfare even more.

If you’ve seen director, Zhangke Jia’s previous films like “A Touch of Sin” or “Mountains May Depart” then you’ll get a similar telling of anthology style stories here. As is expected, it’s shot and lit with a wondrous sense of luminosity. China is a very mysterious place and the area they’re in has a new spin every step of the way, keeping us in mystery. Just another great to add to Zhangke’s filmography.


4. Birds of Passage

The Birds of Passage by Ciro Guerra and Cristina Gallego

“Birds of Passage” is roughly based on true story. Structuring itself on anthology storytelling where the film is divided into four chapter, each running roughly 30 minutes – not to mention a short epilogue. It tracks events throughout the 1960’s – 1980’s as regions in Columbia were working in drug smuggling. Material like this has made for numerous drug subject stories to be told, many of which inspired by the events of Pablo Escobar. But directors Ciro Guerra and Cristina Gallego don’t fall into the norms of drug cartel sensationalism but rather focus on the harrowing tales of damage these regimes brought upon the tribes and people who’ve been victims of them.

This is a film far more concerned with culture than it is gun shootouts and drug addiction. The actors and crew are made mostly of people from this region, creating an authentic recreation of their customs. At times it feels like a documentary of their tribes and people. This follows in the tradition we see in the world far too much where ethics disappear due to wealth and power, and this film is a great evolution in this tale we know all too well.


5. Giant Little Ones

“Giant Little Ones” works in different ways as it goes through its run time. The beginning stages of the film are a sort of music video style, the songs playing are strumming us along with the events that are occurring. The beginning act shows us the routines of a small group of friends in high school as they’re dating, partying, and enjoying the company of one another.

The main character we follow, Franky (Josh Wiggins), is nice enough but even so we can tell there’s something not quite right. When he’s with his girlfriend, Priscilla (Hailey Kittle), and he ‘confesses his love’ it doesn’t feel genuine, you can tell there’s an insincerity to his claims. He seems more comfortable with his childhood best friend, Ballas (Darren Mann), but that soon turns into something that wasn’t intended to happen.

I won’t go further than that, but needless to say a gap is made between Franky and everyone else because of a lie that’s told due to so many characters wanting to distance themselves from their feelings. It’s not until Frankie’s dad, Ray (Kyle MacLachlan), that everything is brought home. How people deny things to themselves and need to confront who they truly are to make peace.