Writer-director Sam Friedlander’s refreshingly upbeat comedy sets its sights on the ambiguity couples often have over whether or not to have kids. Presenting itself as something of a modernized screwball comedy––and I’ll define that for people unfamiliar with the sometimes misused term; it’s a rom-com subgenre from the Golden Age of Hollywood that juxtaposes opposites […]
Features
Deerskin – VIFF 2019 Review
Georges has a real killer look in writer/director Quentin Dupieux’s latest film, a batshit-beyond-all-reason black comedy/character piece called Deerskin. Dupieux, the deranged genius behind such wonderfully weird films as the absurdist horror tale Rubber (2010), and the irreverent comic mystery Wrong (2012) is no stranger to bizarre backroads and crackpot detours into the ludicrously far-out […]
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10 Movies From 2019 Audiences Liked But Critics Didn’t
Every year has them – the films that divide the audiences, and elicit only extreme responses of utter despise, or complete fascination. Even more frequently, these reactions are pretty equally split between critics and the audiences. While there are some films that manage to completely bridge these “divides”, and stun both critics and moviegoers, while […]
Cherry Blossoms & Demons – VIFF 2019 Review
Eleven years ago at VIFF 2008 (where does the time go?) there was a fair bit of praise falling like confetti on writer-director Doris Dörrie’s plaintive and heartfelt drama Cherry Blossoms. An East-West culture clash story with a lackadaisical pace, sumptuous visuals and a peculiar poetry to it all as Dörrie rendered a slow goodbye […]
Scarborough – VIFF 2019 Review
Adapted for the screen by director Barnaby Soutcombe (I, Anna [2012]) from Fiona Shaw’s 2008 play, Scarborough is a smart and slippery inquiry into two problematical student-teacher romances over three days in the eponymous coastal town of Scarborough, North Yorkshire. As the film opens we are greeted, along with Liz (Jodhi May) by a chatty […]
Paradise Hills – VIFF 2019 Review
Vivid colors and chic camera choreography are beautifully bound together in the initial scenes of Alice Waddington’s feature length directorial debut, the erratic yet always elegant sci-fantasy Paradise Hills. But it’s a film that opens perhaps too big; Waddington playfully presents a richly imagined world that’s part musical, part mystery, and overfull with intrigue and […]