Cinema is its own language. It’s a fact that has been examined and dissected for over one hundred years at this point. Subjectivity is also a finicky concept to deal with. Bad films generally do not connect with the use of filmmaking as a linguistic medium (an art form that can communicate with its own […]
Year: 2018
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The 15 Most Influential Movies On Special Effects
Since the dawn of cinema, filmmakers have strived to convincingly realize their stories on the big screen – which explains how far special effects technology has leaped forward over the past century. After all, virtually every big blockbuster and epic drama ever made wouldn’t be filled with half as much wonder or boast nearly as […]
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The 20 Most Beautiful Movie Masterpieces of All Time
Since the very invention of cinema through to the present day, there seems to be no end to the artful and awe-inspiring visuals they create and the wonders they contain, lighting up living rooms, bijous, drive-ins, and multiplexes the world over. Taste of Cinema’s tireless and exciting search for the most visually exquisite films “of […]
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10 Movie Masterpieces Panned By Critics During Their Release
Cinema enthusiasts usually hold the critics’ taste in high regard. Sure, everyone prefers to watch a film by themselves and make their own mind up, but we all are in some way influenced by the opinion that critics have of a film. This is especially true in the social media era: titles of reviews or […]
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10 Movie Trailers That Are Better Than The Actual Film
Ahh trailers, we all love them. They’re the reason we get to the movie session on time, because we don’t want to miss them. We can spend hours upon hours on the computer delving deep into the trailer vortex until we’ve seen every film that is coming out. Trailers ultimately set our expectations for a film, […]
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10 Movie Masterpieces That Are Textbooks of Camera Movement
As if sculpting a formless body of thoughts into a palpable conformation of visions, a film director projects a textured intellectual surface on a motion picture’s transparent kinesiology. Standing across, at the viewer’s position, you drift in the film’s conceptional background, usually ignoring the constantly observing eyes and controlling hands of the recording medium. Camerawork, […]