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All 17 Coen Brothers Movies Ranked From Worst To Best

04 May 2017 | Features, Film Lists | by Mike Gray

The Coen Brothers are one-of-a-kind filmmakers: this duo has created alternately some of the best comedy and drama films in the past 30 years without compromising their inimitable vision.

These siblings are two of America’s premiere directors, and it seems the American spirit is represented in their work: always reinventing genres while also mixing seemingly incongruous ones together to form a melting pot of ideas, styles, and stories, the Coen Brothers’ films can best be described as eccentric.

Idiosyncratic and postmodern, surreal and ironic, their films pay homage to film genres–in particular film noir and the screwball comedy–while also reinventing staid conventions, often creating surreal, highly stylized work in the process.

One particular trademark is their frequent–dominant, even–period pieces. All but four of their films (Blood Simple, Raising Arizona, Intolerable Cruelty, and Burn After Reading) take place at some point in America’s past, an approach that allows for them to play with established tropes and audience preconceptions of these historic periods only to ultimately subvert them.

But perhaps their greatest talent is in blending genres, resulting in dark humor in their dramas and pathos in their comedies, often giving their films a surreal quality that very few directors could recreate even once, much less multiple times, to great success.

Working in different capacities across their films, often as co-screenwriters with Joel taking the directing title and Ethan billed as producer (though working closely throughout the production), they are a singular team the likes of which may never be repeated again.

And although many of their films are incredible–some even outright masterpieces–they have made a few disappointing movies in their career. Keep in mind that lists of this nature are always subjective enterprises, and that more often than not they succeed at creating dynamic films.


17. The Ladykillers

The Coen Brothers are heavily influenced by classic comedies, and their original work often pays homage to this inspiration. Up until the early 2000s, the brothers only worked on films based on their own material, but in 2004 they released their first remake: The Ladykillers.

Based on the 1955 British eponymous film, Tom Hanks stars as pretentious con man Goldthwaite Higginson Dorr, Ph.D, who rents a room in God-fearing elderly Marva Munson’s home for its proximity to the underground vault for a riverboat casino.

Using the cover that his music ensemble needs to use the basement for rehearsal, Higginson and his crew tunnel into the vault and pull off a sizeable heist. However, when Mrs. Munson comes across their operation, they each attempt to kill her off before she ruins their plans. But through what seems to be divine protection, each fail at their attempt, coming to their own demise instead.

Already a soft premise for the Coen Brothers to work with and lacking their trademark upending of convention, it’s easily the most lackluster film they ever produced. Its tone and humor falls flat, the motley cast of characters aren’t nearly as funny either together or on their own as they must have thought, and sadly, Tom Hanks gives possibly the worst on-screen performance in his career.

A modest hit upon its release, today critical consensus for this films has dropped significantly, and even for Coen Bros. completists it’s an effort to slog through.


16. Burn After Reading

Burn After Reading (2008)

“Zany” is an adjective that gets affixed to describe a lot of the Coen Brothers’ comedies. And while sometimes it’s a good descriptor (The Hudsucker Proxy and Raising Arizona are particularly “zany” films of theirs), in the case of Burn After Reading it’s almost a dire warning to potential viewers.

The film is a criss-cross “zany” screwball comedy that follows the misadventures and bungles of a drunk CIA agent looking to spill secrets out of revenge, two personal trainers who come across his memoirs on a CD in a locker and concoct an extortion scheme and–when that doesn’t work–to sell the memoir that contains highly classified material to the Russians, and a womanizing deputy US Marshal who gets mixed up in this caper.

While it sounds like standard “zany” Coen Brothers plotting, their comedic attempts misfire at every turn, and the rather cruel depictions of these lost souls doesn’t help make it any funnier. While the Coen Brothers thought they were making a satirical movie about fools who work in and live around the US bureaucracy in Washington, DC, the point of the satire isn’t clear and Burn After Reading comes across as a jumbled, plotless mess; a more appropriate title would be Burn After Seeing.


15. Intolerable Cruelty

Intolerable Cruelty

When they swing for the fences, the Coen Brothers will at the very least make an interesting film: whether dark drama (such as No Country For Old Men) or an off-the-wall comedy (like The Big Lebowski), it seems the Coens succeed best when they follow through completely with their best instincts. Unfortunately, it seems they were aiming to make a mainstream, middle-of-the-road romantic comedy with 2003’s Intolerable Cruelty.

Starring the reliable George Clooney and charming Catherine Zeta-Jones, Intolerable Cruelty details the improbable romance that stirs between fierce divorce attorney Miles (Clooney) and a notorious serial-marrying golddigger Marilyn (Zeta-Jones).

While both should be more savvy when beginning a romance with their sworn enemy, they throw caution to the winds and soon find themselves married. But a long con Marilyn’s running against Miles turns against her when she realizes she’s the wealthier of the two, which may end up costing her in a divorce, will true love prevail? Sure, why not?

Alternately cynical and surprisingly lightweight, it’s the kind of Coen Brothers comedy that wouldn’t seem out of place in the 1930s but at the turn of the 21st century doesn’t quite fit the modern vernacular. As an adult comedy, it doesn’t carry much water, and the paper-thin romance between Miles and Marilyn never really gels.

The Coens are best when they follow their wilder instincts, but instead they lobbed a softball over the plate–and while the film fared well at the box office (Clooney and Zeta-Jones being big draws at the time), it’s a base hit instead of a home run.


14. Hail, Caesar!

Hail Caesar

Something the Coens know a lot about both personally and professionally is the business of making movies, and when they turn their satirical ability towards the subject, as they did to memorable success with Barton Fink, great comedy and pathos is unearthed. So when they wrote and directed 2016’s Hail, Caesar!–a satire of the film business and studio politics in the 1950s–one would think they’d create another comedic masterpiece.

And while the film is good in parts, it’s also scattershot: one minute we’re dealing with the pregnancy of an unmarried actress while the next we’re watching a young cowboy star uncomfortably step into the role of a playboy in a high society drama, and through this we’re (mostly) following the studio head that has to deal with all of this chaos–who’s also trying to figure out where to the star of his Bible epic has disappeared.

Turns out he was kidnapped by some communists who are trying to ransom the studio so their leader can return to Russia, but enough about that: let’s see how a couple of stars who were put together for PR purposes are doing on their date!

By reading this description, you can tell that the movie’s more than a little unfocused. It also looks like the Coens had a lot of fun making the movie, playing around with a behind-the-scenes look at a day in the life of a movie studio in the 1950s. But it’s also a somewhat grating watch, particularly since half the characters are idiots or just plain unlikeable.


13. True Grit

True Grit (2010)

The Coen Brothers rarely make films that aren’t their own original work, but in 2010 they released their Steven Spielberg-produced remake of the classic western True Grit.

Starring Jeff Bridges in as the grizzled Deputy US Marshal Rooster Cogburn, it was the feature debut of Hailee Steinfeld as Mattie Ross, a determined young woman who hires Cogburn to bring her father’s killers to justice.

The Coens found a surprise hit with True Grit: between its PG-13 rating, relatively straightforward storyline, and being a mainstream Western, True Grit made $250 million worldwide on a $38 million budget. Both Bridges and Steinfeld were widely praised for their portrayals as the hard-headed Mattie and the drunken but principled Cogburn, and the film is a well-made (if not dark) Western.

But it doesn’t really feel like a Coen Brothers film; toning down their eccentric style, they made a thoroughly mainstream film and with it found great success. But it also feels like a movie a number of directors could have made. For a genre picture, it’s stellar; but as a Coen Brothers movie, it’s underwhelming.



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  • Trent Eon

    Good article!
    Three of my favourite performances in Coen Brothers films:
    Javier Bardem as Anton Chigurh in No Country for Old Men
    Jon Polito as Johnny Caspar in Miller’s Crossing
    M. Emmet Walsh as Loren Visser in Blood Simple

  • AmazingAmy

    Fargo, Barton Finx, NCFOM are my top three choices… i like Big Lebowski but i don’ think its better than Fargo, BF, True Grit, Inside Lelwyn Davis, Miller Crossing, NCFOM, Blood Simple…but i appreciate your choice since every people opinion are different.

    P.S I maybe minority who actually enjoyed Ladykiller and thought its should ranked quite higher

  • Anything with the Coen Brothers is varied as they made so many kind of different films. My list is also quite varied as we do share the same bottom three though I would say a mediocre Coen Brothers movie is better than other people’s films.

  • Sean Heffle

    Miller’s Crossing is number one. There are about five films you could say that about in their canon. Fargo, NCFOM, Blood Simple, Barton Fink, and Miller’s Crossing are all absolute masterpieces. But Miller’s Crossing is above and beyond the rest of their work. It’s one of the best movies ever made.

  • McGuffin

    Excellent list. However, the rug-pissers were not part of the nihilist group and were never identified as such. Just Lebowski goons.

  • Mortimer

    1. Fargo
    2. No Country for Old Men
    3. Inside Llewyn Davis
    4. Miller’s Crossing
    5. Barton Fink
    6. The Big Lebowski

    The Hudsacker Proxy is such underrated movie.

    • AmazingAmy

      I enjoyed all Coen’s Bro Film…especially when its starred Frances.

    • We have VERY similar taste in Coen films

  • colonelkurtz

    People dislike Hail, Caesar so much and I don’t understand it. The humor is excellent–not filled with modern habits of lazy joke-writing, and the entire thing is a witty look at golden-age hollywood. Imo much better than A Serious Man and Miller’s Crossing.

    • You had me up until your last two blasphemous words

      • colonelkurtz

        I can handle being a blasphemer. Miller’s Crossing never captured me as much as some of their other films, except for the opening shot of that mafioso talking; that was gold.

        • It’s not about being blasphemous, it’s a questions of ethics!

  • Matthew Sutton

    1. Barton Fink
    2. Fargo
    3. Blood Simple
    4. No Country for Old Men
    5. Man Who Wasn’t There
    6. Hudsucker Proxy
    7. A Serious Man
    8. Big Lebowski
    9. Raising Arizona
    10. Miller’s Crossing

  • Sonny Maxwell

    I would rank Blood Simple higher and Hail Caesar as far at the bottom as it would go. Hail Caesar was just terrible.

  • shane scott-travis

    Wow. I’m not at all in agreement with anything on this list.

  • Rublev

    My top 3 has Barton Fink, NCFOM and Inside Llewyn Davis, but i like most of their movies

  • Hamid Razi

    No Country For Old Men should take the crown

  • Andy Fraser

    I broadly agree with this list. Obviously I don’t agree with it completely of course.

    I deliberately didn’t watch ‘Burn After Reading’ for ages because of the bad reviews. When I did watch it I loved it! I found it funny and engaging. I loved the characters, especially those played by Clooney and Malkovitch. I’d put it much higher on my list with ‘Hail, Caesar!’ slightly below it.

  • Anthony Lancaster

    How does that shite The Big Lebowski top the list?
    1) No Country For Old Men.
    2) Fargo.
    3) Blood Simple.

  • John Carvalho

    1. Fargo
    2. Barton Fink
    3. No Country for Old Men
    4. A Serious Man
    5. Miller’s Crossing
    6. Inside Llewyn Davis
    7. The Big Lebowski
    8. Raising Arizona
    9. The Man Who Wasn’t There
    10. Blood Simple
    11. Burn After Reading
    12. O Brother, Where Art Thou?
    13. True Grit
    14. The Hudsucker Proxy
    15. Hail, Caesar!
    16. Intolerable Cruelty
    17. The Ladykillers

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  • Special_One

    Burn After Reading is easily their funniest movie. It might not be their best, but it’s up there. Clooney and Pitt are hilarious in that movie.

    PS. It doesn’t look very good when you use terms you obviously don’t understand. Calling Burn After Reading a screwball comedy is like calling it a romantic comedy, just wrong on every level.

  • Carsten Nilsson

    LOL at that Burn After Reading ranking

  • Still D.R.E.

    Ladykillers is their only real bad movie Hail Ceasar isn’t a bad movie but was a big disappointment too me being a huge fan of Joel and Ethan all their movies are kinda weird

  • Bosma

    Horrible list…

  • sirnaber

    the man who wasn’t there has to be in the top 5, if not top 3.

  • Infinity_Dory

    Inside Llewyn Davis is a pretty underrated film in my opinion.

  • Tjakko Martijn

    Usually any list on this website deserves thorough discussion. Coen brothers films however, for some reason, defy that possibility. Perhaps because they are so incredibly idiosyncratic. Perhaps pooling them in groups of 5 is a fair compromise:
    e.g. the top 5 could consist of (in any particular order):
    Fargo, No Country for Old Men, The Big Lebowski, Miller’s Crossing and Barton Fink
    5 – 10 could consist of (in any particular order):
    Barton Fink, Blood Simple, Inside Llewyn Davis, Oh Brother where Art Thou? The Hudsucker Proxy
    11 – 17 could consist of (in any particular order):
    A Serious Man, The Man Who wasn’t there, Burn After Reading, True Grit, Intolerable Cruelty, Ladykillers, Raising Arizona, Hail Ceasar!

  • fantail31

    For me Fargo is their most realized work and my personal fave is Barton Fink. Inside llewyn Davis is beautifully fragile and bleak.

  • D Thomas

    Nihilists were not the rug pissers, man. Woo peed on the dude’s rug – he works for Jacky Treehorn, a known pornographer.