20 Great Movies That Break The Rules of Cinema

In the beginning decades of cinema, there was no set language, no decided poetry, and no formal structure or grammar in filmmaking: there were no rules. The Lumière brothers experimented with realism (“Workers Leaving the Lumière Factory” (1895)), emotion (“Train Pulling into a Station” (1895)) and colour (“The Serpentine Dance” (1899)). Georges Méliès, another avant-garde […]