Filmmaker Retrospective: The Idiosyncratic Cinema of Wes Anderson

The Royal Tenenbaums (2001)

The penultimate scene in The Life Aquatic with Steve Zissou, represents what audiences feel when they look on the screen, and see the beautiful visual perfection of fusion of a specifically chosen palette of colours, whilst hearing Jeff Goldblum saying “That’s him Klaus” but instead of referring to the shark, he is referring to Wes […]