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The 10 Best Movies Almost Strictly Based on Dialogue

20 August 2017 | Features, Film Lists | by Vitor Guima

One of the most difficult things for a screenwriter is to master the art of dialogue. If you suppress much of the information, things might be unexplained in the story, and if you put too much information in the dialogue, it will be seen as exaggerated or the audience may think you’re delivering to them everything on a silver platter.

With many great movies in cinema history that made dialogue the main focus to approach the narrative in question, though not forgetting to work on complex levels of acting and the visual of the films, here is a selection of 10 amazingly written movies that are based almost strictly on dialogue.

Many aspects interfere in the choice of the films on this list, but the most important – as always – are memory and personal preferences. Therefore, if you think of any great film based on dialogue that is not on this list, please share the name on the comments section below.

So, here are 10 amazing movies almost strictly based on dialogue.

 

10. Carnage (2011), written by Yasmina Reza and directed by Roman Polanski

Kate Winslet in Carnage (2011)

Starring Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly, “Carnage” is directed by Roman Polanski and written by Yasmina Reza, adapted from her own acclaimed play “God of Carnage” from 2006.

The story follows the meeting of the parents of Ethan Longstreet and Zachary Cowan after their kids had an argument that ended up with Zachary assaulting Ethan with a stick. When Penelope (Jodie Foster) and Michael Longstreet (John C. Reilly) receive Nancy (Kate Winslet) and Alan Cowan (Christoph Waltz) in their apartment, the conversation begins smoothly, but becomes more and more tense as time passes by.

Set almost entirely in a single location, Penelope and Michael’s apartment, this film is a great lesson on how to write dialogue for film. Line after line we learn more from each one of those four characters as tension begins to accumulate in that environment.

With great writing from Reza, and amazing performances by Winslet, Foster, Reilly and Waltz, “Carnage” is a great dramatic comedy that should be watched by any film fan.

 

9. A Pure Formality (1994), written by Giuseppe Tornatore and Pascal Quignard and directed by Giuseppe Tornatore

Starring Gérard Depardieu and Roman Polanski, this great Giuseppe Tornatore film, written in collaboration with Pascal Quignard, is a masterpiece that really does not get the recognition it deserves.

Following the story of the interrogation of Onoff (Depardieu), a famous writer who has not published anything in a long time, after he is found by police walking through the woods without recent memory and no identification, “A Pure Formality” is set almost entirely with the inspector (Polanski) interrogating the writer at a police station.

Playing with the memories that are lost by Onoff and, as he recovers these memories, the implications of his acts, “A Pure Formality” has some of the greatest dialogue of the 90s. As the inspector is suspicious by what is being told by Onoff, we see how he plays with the writer to find the truth that will eventually surface.

Having great performances from Polanski and Depardieu with the strong directing of Tornatore that makes those lines occupy every inch of the police station they’re at, “A Pure Formality” is a great written film that deserves a place on this list.

 

8. Secret & Lies (1996), written and directed by Mike Leigh

Secrets & Lies

Mike Leigh’s Palme d’Or winner “Secret & Lies” is probably the best film in his career. Following the story of Hortense (Marianne Jean-Baptiste), a successful woman who was adopted as a child and now is in search of her birth mother, “Secret & Lies” is one of the greatest dramas from the 90s.

This picture works on so many levels that, when the projection ends – and as we catch our breath – it is incredible to see how much information Leigh was able to put into this film. With dialogue after dialogue, “Secret & Lies” reaches a higher level of complexity.

Writers normally like to say that there is a rule called “show don’t tell,” but the way you write for a character, the use of silence and – in film – even the position of the camera can make a dialogue sound entirely different, and that is something used masterfully by Leigh in this picture.

With great performances by Jean-Baptiste, Brenda Blethyn and Timothy Spall, “Secret & Lies” is a mandatory and beautifully written film from one of England’s best writers/directors.

 

7. Who’s Afraid of Virginia Woolf? (1966), written by Ernest Lehman and directed by Mike Nichols

Whos Afraid Of Virginia Woolf (1966)

Starring Elizabeth Taylor and Richard Burton as Martha and George, a middle-aged couple dependent on each other, whose relationship is full of verbal battles, “Who’s Afraid of Virginia Woolf?”, being the first feature film in Mike Nichols’s career, is one of the best debuts in cinema history.

With George being a history professor at a university that has Martha’s father as president, one Saturday she invites Nick (George Segal), a new biology professor, and Honey (Sandy Dennis), his wife, for a nightcap. Among many drinks and in the presence of Nick and Honey, the couple start their battles as usual until secrets start to unveil.

Winning five Oscars at the 39th Academy Awards, including Best Actress and Best Actress in a Supporting Role for Elizabeth Taylor and Sandy Dennis, respectively, this movie, based on the play written by Edward Albee, is truly a masterpiece with amazing dialogue that should definitely be watched by any cinephile.

 

6. Annie Hall (1977), written by Woody Allen and Marshall Brickman and directed by Woody Allen

It’s a dialogue list, so of course it’s going to have a Woody Allen film on it. “Annie Hall”, the Oscar winner and probably the most acclaimed movie in Allen’s career, is certainly among the best comedies in cinema history.

The film follows the story of Alvy Singer (Allen), a neurotic twice-divorced 40-year-old New York comedian, who reflects on his relationship with Annie Hall, an aspiring nightclub singer. Their meeting and the many situations they lived through together are part of this story that has some of the greatest and funniest dialogues of all time.

Many times acclaimed as Allen’s masterpiece and with a great performance from Diane Keaton, “Annie Hall” is a must-see comedy from the 70s that influenced countless films that came after it, making it a mandatory movie for anyone who loves cinema.

 

 

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  • Balthazar Matony

    The Sunset Limited (2011)
    12 Angry Men (1957)
    Dah aka Ten (2002)

  • Pingback: The 10 Best Movies Almost Strictly Based on Dialogue | Roberto Cimatti()

  • Zwei

    All About Eve (1950)
    The Heiress (1949)
    Secret Honor (1984)

  • Deadly_Moogly

    The Decline of the American Empire (1986), solid movie!

    The sequel (Les Invasions Barbares) is just as good!

  • Maciej Kyrcz

    Man fom Earth 😀

    • I second that one. If I had to make that list, it’d be in my top spot.

  • Rudi

    I can’t understand the Before trilogy is in this list, let alone at the top spot. These are good examples of movies that are NOT strictly based on dialogue. They’re for a big part about silences, expressions, looks, surroundings.

  • Abeetz

    Locke was great.

  • Gabriel Dvkx

    The Seventh Seal – 1957 – (Ingmar Bergman)
    12 Angry Men – 1957 – (Sidney Lumet)
    Cries and Whispers – 1972 – (Ingmar Bergman)
    Stalker – 1979 (Andrey Tarkovsky)

    • X Y

      *Stalker, really?! Dialogue?!

  • Zé Manel

    Glengarry Glen Ross (1992)

  • irie

    Intimate Strangers (2004)

  • Oak Zlsen

    Dont want to be one of those people, but seriously, no 12 Angry Men?

  • Alan

    12 Angry Men should be here

  • Andras Liszkai

    Perfetti sconosciuti (2016) has to be here. One of the greatest movies ever. Also, The Wall (2017) and 10000 km (2014) are amazing additions.

  • Jasper Sapien.

    Irony: a dozen people will angrily complain that 12 angry men isn’t on this list.

  • Vincenzo Politi

    Sometimes I wish that Céline and Jesse existed for real and they just liked to play the roles of Julie Delpy and Ethan Hawke in their spare time…