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The 25 Greatest Cult Movies of All Time

22 May 2015 | Features, Film Lists | by Shane Scott-Travis

the big lebowski

Have you ever clicked with a crazy movie or seen something weird and wonderful that seemed made just for you? Odds are this sort of cinematic caprice was a cult film, perhaps one that led you to an almost unhealthy obsession with something stylishly strange.

The cult film experience differs from mainstream movies by appealing to unique sensibilities, be it the counterculture, genre films, or niche audiences, zeroing in on taboo content, upending convention, offering razor-sharp satire, exploitation, or, best of all, by being legitimately dangerous. If you crave a more intimate, artful, or outright insane connection with cinema, consider joining a cult.


25. The Room (2003)


Tommy Wiseau’s version of auteur arthouse cinema, The Room, is an indulgent mess. Fearlessly foolish, it feels less like the work of a driven filmmaker as it does a detour into a manchild’s tantrum over his ex-girlfriend. It’s a ridiculously bad film; terribly overwritten (while remaining under-plotted), over-acted, overrun with eccentricity, unintentional comedy, and idiotic technical flourishes.

As the abysmal “plot” unfolds—something to do with a spurned lover planning revenge—unconscious camp ensues.Wiseau, who wrote/directed/starred and produced, originally presented his film as a dirge-like drama akin to Goethe’s literary classic, The Sorrows of Young Werther.

When midnight screenings on campuses began across the US, coeds clung to The Room’s ironic underpinnings, embracing the atrocious performances and plot holes, screaming at the screen and devising rituals to enrich the melodrama. As a post-camp cult phenomenon, Wiseau claims he was always in on the joke. Yeah, right.


24. Even Dwarfs Started Small (1970)

Even Dwarfs Started Small

From the start, Werner Herzog’s always been a firebrand. Roger Ebert wrote that “[Herzog] never created a single film that is compromised, shameful, made for pragmatic reasons or uninteresting. Even his failures are spectacular.” A spectacular spirit certainly surrounds his sophomore feature, 1970’s notorious Even Dwarfs Started Small.

Existing in a pocket universe where all humans are dwarf inmates in an unscrupulous institution on the brink of rebellion. The film follows a bizarre dream logic as the inmates overrun the asylum, and go berserk in increasingly alarming ways. Ways that involve whacked-out weddings, crucified monkeys, a cannibalizing chicken, pyromania, and torture, all set to unsettling tribal music.

Herzog admits that much of the film’s misery resulted from time he spent in a third world prison (due to altercations on a previous film, his eerie documentary on mirages, Fata Morgana), where he fell ill to a blood parasite. And boy, does it show.Of all the Grand Guignol imagery on display, the maniacal laughter of Hombre, the smallest cast member, chortling endlessly at a struggling camel, is the hardest to unremember. A mad masterpiece.


23. Plan 9 from Outer Space (1959)


The symbol of so-bad-it’s-good B-movies, Plan 9 from Outer Space is Edward D. Wood Jr.’s Citizen Kane. Revered as a camp classic, Wood’s 1959 sci-fi rattletraps’ legacy was greatly bolstered by Tim Burton’s nostalgia-imbued biopic from 1994, Ed Wood, cementing his standing as a pop culture linchpin.

Plan 9’s plot is at sixes and sevens as the startling arrival of a UFO rattles witnesses. The arrogant aliens want to help mankind, but come across as jerks, so are ignored. This irks the visitors who decide to reanimate the dead. Nonsensical dialogue doesn’t clear much up, nor does Wood’s use of stock footage, mismatched shots (continuity problems abound), or awful acting combined with strange casting.

The same clips of Bela Lugosi, who died during filmmaking, are used repeatedly, integrated with footage of chiropractor-turned-actor Tom Mason, unconvincingly standing in for Lugosi. Other problems overflow, too numerous to mention, all representative of Wood’s indifference as director. He’s so laissez-faire it’s laughable, making Plan 9 an unforeseen scream.


22. They Live (1988)

They Live

To appreciate John Carpenter’s 1988 sci-fi thriller, They Live, you have to be forgiving, as it’s a shit ton of fun if you don’t think too hard—despite it constantly trying to be oh-so-clever—and it’s also a great representation of 1980s objet d’art. With a signature overdone musical score,

Carpenter throws the audience into an abrasive inner-city America with ghetto politics at the fore, following mullet-sporting drifter John Nada (played with aplomb by wrestler “Rowdy” Roddy Piper), frequenter of soup kitchens and shantytowns, looking to get gainfully employed. Nada unearths a plot led by a brave resistance to expose an alien conspiracy.

The aliens are amongst us, manipulating in overt and covert ways, disguised but in plain sight. Nada discovers a pair of sunglasses manufactured by the rebels, that cuts through the alien’s deception. Everywhere he looks; billboards, magazines, newspapers, they all mask subliminal messages of a one-party nature (dollar bills, viewed this way, read “THIS IS YOUR GOD”), forcing complacency, consumption, and obedience.

They also reveal the true, unpretty appearance of the aliens. “You know,” spits Nada, confronting one, “you look like your head fell in the cheese dip back in 1957.” They Live is a tense and darkly comic film, and one of Carpenter’s most politically relevant. As an 80’s actioner, there’s few as subversive or as fun.


21. Black Sunday (1960)

Black Sunday (1960)

Few filmmakers are as imitated as Italian innovator Mario Bava. After spending the 1940s and 1950s developing his craft as a cinematographer, his 1960 directorial debut, the gothic horror Black Sunday, would be his breakthrough. As a visual stylist possessing incredible instincts for atmosphere, Bava ushered in the Golden Age of Italian horror.

Black Sunday, inspired by Nikolaj Gogol’s short story “Vij,” courted controversy right away, due to violence and bloodshed. By today’s standards the film’s relatively subdued, but for 1960s audiences, particularly in the UK where it was banned, this grisly, vampiric revenge fantasy went over huge. Barbara Steele’s dual role as Katia Vajda/Princess Asa Vajda became an archetypal image of evil and she, a dignitary of the genre.


20. House (1977)


Director/producer Nobuhiko Obayashi experimental roots are laid bare in House, a fantastical fever dream of a film, overflowing with baffling symbolism, nuclear war allusions, wtf moments, off-kilter cartoonish comedy, floods of blood and kitschy collages aplenty.Like the illegitimate offspring of Dario Argento and Saturday morning Scooby-Doowith a heroic dose of LSD, House is a grab bag of ghoulish goodies.

There’s a people-eating piano, a white cat from hell—who makes the Cheshire cat look like a purring kitten—a crazy grandmother and characters named Gorgeous, Sweet, and Kung-Fu.Cineastes will adore the expressionistic techniques that recall Powell and Pressburger’s The Red Shoes, while everyone else will be certain someone spiked the Kool-Aid.


19. Attack of the Killer Tomatoes (1978)


Who knew that John DeBello’s low budget burlesque of B-movies, 1978’s Attack of the Killer Tomatoes, would father a franchise (including sequels, cartoons, a short-lived TV series, and video games) and firmly plant itself a place in pop culture as gratifying garbage? Best construed as a saucy sendup of disaster films, very in vogue in the late 1970s, DeBello’s movie is a deliberately silly, and self-aware spectacle.

The story, little more than a thinly veiled stopgap to set up pearl-on-a-string style vignettes, and musical numbers, concerns an outbreak of, you guessed it, killer tomatoes. These nasty nightshades infiltrate American soil, ruthlessly attacking everyone, forcing the President to enlist a team of “specialists” to face them. The one-joke sell gets juiced for all it’s worth with results that range from rotten to ripe (you think these puns are bad, watch the film!).


18. Pink Flamingos (1972)

Pink Flamingos (1972)

Kitschy cult icon and connoisseur of the uncouth, John Waters directorial debut from 1972, Pink Flamingos, is a master class in trash. It’s also gut-bustingly hilarious, outrageous at every turn, and yes, frequently, unwatchable. Starring splashy drag queen Divine as Babs Johnson, Pink Flamingos is both pitch-black comedy and exacerbated wildcat exploitation picture.

Divine plays the “filthiest person alive,” a criminal on the lam, hiding out in the suburbs, and eventually drawing ire from a contender couple, the Marbles, who claim to be every bit as base and offensive as she. The Marbles, Connie and Raymond (Waters regulars Mink Stole and David Lochary), take it as their charge to discredit and destroy Divine, with a plan involving a black market baby ring/adoption clinic catering to lesbians, and a plot to sell heroin to ghettoized public schools.

What follows is some of the most objectionable and off-color abuses ever to be wed to celluloid. Acts of emasculation, cannibalism, bestiality (the unsimulated sex scene with a chicken is justifiably notorious), and Babs’ for real shit-eating grin, are all the stuff of tawdry legend.



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  • Zgjim Terziqi

    troll 2 not even a mention?

  • Great list, you write very well! Divine wasn’t a drag queen, though, just a gay actor playing a woman…but seeing the goal was to confuse and queer everything, what the hell!

  • Dave Anderson

    I don’t know if I’d consider “Halloween” a cult film.

    • shane scott-travis

      It was an indie film by a director no one had heard of, a cast of unknowns, and it turned into the most bankable indie film of it’s age, brought slasher films into the mainstream and gets shown annually at the rep cinema in my ‘hood. That meets my criteria. 😉

      • DuckingGold

        That explains why the list sucks.

  • Brady Demarest

    I would say that Napoleon Dynamite is a cult film, and a damn good one!!! I laugh basically every second in the movie!!!!

    • Valerie Smith-Griffin


  • Andreas Wagner

    Blues Brothers?

  • thecolonel1

    Eraserhead # 12? No way. Evil Dead II is the cult version. The first one is pretty bland. How about The Man Who Fell to Earth? Repo Man, Get Crazy, Rock & Roll High School. The list goes on and on. The Incredibly Strange Creatures Who Stopped Living and Became Mixed Up Zombies (probably the winner for best title too.).

  • frank mango

    donnie darko

  • Pedro Enrique Casique Duran

    What about Alfred Hitchcock…

    • garden variety

      How in the world do you consider any of hitchcock a cult film?

      • Emre Kara

        You could actually consider only “Psycho” as a cult film: It was seen as a departure from Hitchcock’s previous thriller style. It was low-budget, black & white, and it was filmed with a TV crew. It initially received mixed reviews and gained its valuable status in time, especially thanks to box office success. It was also avant-garde because it made violence, sexuality and deviant behavior acceptable in American cinema. It set the standard for later slasher films.

  • Duke Stevenson

    Blue Velvet

  • Well, you know,thats just, like,your opinion, man.

  • Jake Ruiz

    FYI, Pink Flamingos was definitely not John Waters directorial debut, he had been directing cult films for years before PF.

    • Nancy Hall

      I think Female Troubles is his best…it’s my favorite, anyway.

  • MM

    oh man, you put Phantom of the Paradise…. I love you so much for that. great list overall, amazing !

  • Dimitrije Stojanovic

    People told me that in some of these lists I can find Suspiria. Is that true?

  • lilyboosh

    Ladies and Gentlemen, welcome to violence..

  • Aashis Vijayakumar

    Have you heard a name called Alejandro Jodorowsky.

  • Nancy Hall

    Beyond the Valley of the Dolls belongs on the list.

  • Valerie Smith-Griffin

    and let’s not forget…”Welcome to the Dollhouse” a quintessential middle school (uncomfortable and awkward) experience!

  • Dimitri Poenaru

    Donnie Darko? Also I think Lebowski should be higher.

  • garden variety

    Good list, but not halloween, and rocky horror’s way overated
    It would’ve been good to attempt more recents like southland tales!

  • Michael Belcourt

    I would vote for Class of 1984.

  • Jeremy Berkhemer

    Where is pulp fiction?

  • fantail31

    Vanishing Point. Easy Rider. Billy Jack.

  • Jen Iris

    Oriental Theater, Milwaukee, WI…Longest running show of RHPS EVER! 😀

  • Good list. But many more should not be forgotten. Cult classics: Brazil
    Donnie Darko
    Big Trouble in Little China
    This is Spinal Tap
    Repo Man
    The Adventures of Buckaroo Banzai
    Death Race 2000
    Office Space
    The Warriors
    Time Bandits
    The Toxic Avenger
    Dazed and Confused
    Rock and Roll High School

  • Camilo Mejía

    “Repo Man”, “Rumble Fish”, “Buckaroo Banzai”…

  • Tenko Hanada

    Cult films – everyone is referencing them all their lives, rewatching multiple times and wanting you to watch them even if you did or don’t want to e.g:

    Being John Malkovich
    The Holy Mountain
    Blue Velvet
    The Royal Tenenbaums
    Big Lebowski
    Donnie Darko
    Life of Brian
    Blues Brothers
    Pulp Fiction
    Un Chien Andalou
    Mean Girls

    …and so on

    And my personal cult films are:

    Les demoiselles de Rochefort
    Priscilla Queen of the Desert
    Midnight Cowboy
    Dramma della Gelosia

    It’s my cult films, those I like to rewatch and to reference.

  • Emre Kara

    Some important omissions: Freaks (1932), The Texas Chainsaw Massacre (1974), The Warriors (1979), Repo Man (1984), This is Spinal Tap (1984), Brazil (1985), Akira (1988), Clerks (1994), Showgirls (1995), Fight Club (1999), Donnie Darko (2001).

    • DAV

      Showgirls?!? A cult film? The film that made nudity boring? Does anyone except desperate 14 year old boys actually watch Showgirls?

      • Emre Kara

        A cult film doesn’t have to be a good film. Films like “Plan 9 from Outer Space”, “The Room” or “Troll 2” turned into cult classics because of their notoriety. I think “Showgirls” is also a similar example. It is voted by more than 50 million people on IMDb and I don’t think they are all 14-year-old boys. 🙂

  • David Mika Egede


  • bleeb


  • nugjuice

    Two completely Inexcusable omissions:

    Office Space
    Dazed and Confused

    I mean c’mon, both of these films had budgets of $10mm or under, did poorly at the box office and 20-25 yrs later are still relevant. They are the archetypal definition of cult films – box office flops that end up becoming ingrained in pop culture b/c of intense devotion by fans who keep the movies alive forever.

    Dazed and Confused made A-list stars of at least 3 actors – Matthew McCoughaney, Ben Affleck, and Renee Zelwegger. This is after grossing $1mm at the box office and by all accounts being a complete flop

    Walk up to anyone – and I mean anyone – and start talking about a red swingline stapler. Seriously. This film has sold more DVD copies than dollars it grossed at the box office.

    Other notables:
    Donnie Darko (under $4mm budget, gave us Jake Gyllenhaal)
    Fear & Loathing in Las Vegas (Grossed $10mm on $19mm budget)
    Requiem for a Dream (Darren Aronofsky)
    Idiocracy (Grossed $500,000 at the box office)

    I’d say Blues Brothers & Fight Club, but both did well at the Box office so hard to put here.