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20 European Horror Films From The 21st Century You Must Watch

04 August 2015 | Features, Film Lists | by Ashley Robak

let the right one in

Hollywood horror is now an endless stream of remakes, sequels and general lack of originality. There are some exceptions – It Follows while being reminiscent of classic horror makes ordinary people a reason to be fearful, which is to be admired – but these are few and far between. The other side of the Atlantic is Europe: the land of Grimm’s fairytales, Vlad the Impaler, and Mary Shelly.

It is a fertile soil for Horror films, and has been since the beginning – French innovator Georges Méliès is credited has having created the first film with horror elements, The Devil’s Castle in 1896 (Pre-dating his sci-fi masterpiece A Trip to the Moon by 6 years). A lot has happened since then – sound, colour, practical effects, CGI, digital, HD, 4K and beyond – but Europe is still scary as ever and being out of reach of Hollywood taste-makers it can create its own unique brand of scares.

The following list is 20 of the most note-worthy European horror films since the year 2000. It covers home-invasion, found-footage, torture-porn, pastiche, body-horror, New French Extremity, ghost stories, zombies, vampires, werewolves, trolls and the occasional thriller. Shaun of the Dead is exempt as everyone has seen Shaun of the Dead, (if you have not, go watch Shaun of the Dead) but anything else vaguely horrific made in Europe in the last 15 years is fair game. Enough with the foreboding, tension-filled set-up – here is the list.


20. Anatomie (2000, Germany)


An entertaining German Scream-alike fascinated with the gruesome idea of awaking during an operation and being able to see the process happen first hand. Starring Run Lola Run’s Franka Potente as a promising surgical student, the plot revolves around an anti-Hypocratic society that is dissecting terminal patients while they are still alive for the purposes of research. There is a through-line to Nazi experimentations, and while the film as a whole is fairly spotty there are enough good jump scares, photo-realistic gore and heads in Aldi bags to keep Anatomie from falling apart.

Compared to the stoic dramas for which Germany is now most known (The Lives of Others, Downfall) the film’s humour is a welcome addition. There’s nothing wrong with an occasional dissected penis joke. That Anatomie is one of few German Horror films of any merit from the last fifteen years is sad and somewhat surprising considering their pre-war calibre with all-time classics like The Cabinet of Dr. Caligari, M and proto-vampire film Nosferatu.

Possibly after the real-world horrors of the Holocaust, horror for entertainment’s sake seem in bad taste. Either way – try to find a version of Anatomie with subtitles opposed to the unintentionally hilarious dubbing. There is a sequel, with the same director but with different actors and less spark.


19. Them (2006, France/Romania)


Cinema at its most elemental has everything to do with light. Without light there is no picture. But in absolute darkness, and in the darkest shadows, the human mind imagines the worst terrors. What is hiding in that shadow, that flicker to complete darkness? In this way Them uses light, and lack of light, to highly frightening effect – claustrophobia-inducing tunnels, semi-transparent hung plastic sheeting and a lone television illuminating a room are some of the best examples. A threadbare home-invasion scenario is all the plotting directors David Moreau and Xavier Palud need to hang their intensely suspenseful and thrilling film.

Despite the coincidental title Them is not an European remake of the classic U.S. 1950’s B-Movie Them! which revolves around giant mutant ants. The French/Romanian Them is much more sinister; less a judgement of nuclear weaponry, more a statement about how desensitized to violence children are now. Based around an apparently true story where a group of Romanian schoolchildren brutally murdered a husband and wife, their defence being that “they didn’t want to play with us”. Within an exceptionally efficient 72 minutes Them creates a thriller all the more effective for how close it is to reality. This could be your life or death.


18. Night Watch (2004, Russia)

Night Watch

A hyper-stylised Russian thriller where supernatural beings walk the streets of modern day-Moscow – like the Underworld films if they were not terrible. Writer/director Timur Bekmambetov creates this fantastical world around a plot so complex that another couple of films were needed to completely tell the saga, but generally boils down to a centuries old feud between the beings of light and darkness and the battleground between night and day.

The Matrix-inspired action sequences and a canny combination of CGI and practical effects accompany some of the most fun realisations of vampires and werewolves in recent memory, with a creativity in world-building comparable to The City of Lost Children’s Jean-Pierre Jeunet.

Originally commissioned as a four-part mini-series until the powers that be decided the material deserved the cinematic treatment, Night Watch became a record-breaking box office hit in Russia. While sometimes slipping into the realms of all-out action, the touches of gore and horror mythology are what makes the film stand out. Though the characterisations are fairly faceless, Konstantin Khabenskiy’s Anton plays a very convincing put upon protagonist, shrugging off his plot responsibility in a pair of lopsided shades. Night Watch is proof that whatever Hollywood can create, Russia will create a darker, and more idiosyncratic version.


17. Taxidermia (2006, Hungary/Austria)


Characters, if characters are written well, should have wants and desires: To get the girl, to win the thing, to defeat evil. In Taxidermia the girl is a pig corpse, the thing is a eating competition and the evil is the character’s morbidly overweight father. Despite the outlandish and repulsive acts and imagery on screen they are always grounded in reality, and are there to hold a mirror up to society and its sex, image and success obsession.

A grimy, grotesque film – more a black comedy with shockingly graphic and vile imagery than a thriller. Focusing on a trilogy of disgust – the separate stories of a sexually frustrated World War II soldier, a world-champion Cold War-era eater, and a present day taxidermist joined by the loose theme of being equally disgusting.

Non-mainstream acts of bestiality, paedophilia, necrophilia, pyrophilia, extensive gluttony, hyper-obesity, dismemberment, and obviously taxidermy all feature to repulse and educate the viewer. The nearest US comparison for uneasy laughs would be Todd Solondz’ Happiness, but Taxidermia is far more concerned with the amount of bodily fluids it can splatter on screen – blood, faeces, vomit, sweat, semen, urine all play their part, small or otherwise. Not recommended while eating, for those with a strong stomach.


16. Let Us Prey (2014, Ireland)

Let Us Prey

A supernatural, religious-bent horror in which a bearded trench-coated man is found wandering the streets of a small Irish village, with a murder of crows in-tow. The majority of the film is set in a local police station: A teacher, a doctor, a hoodlum and a squad of police personnel, all with their own grisly guilty secrets. From first time director Brian O’Malley, Let Us Prey revels in its Irish accoutrements: the small town rural setting, jagged accents, dry humour and blatant Catholicism criticism.

Grounding the more fantastical elements of Let Us Prey is the acting – particularly from survivor Pollyanna McIntosh and the mysterious man in cell six, Liam Cunningham. The creepy simplistic electronic score is reminiscent of John Carpenter’s soundtrack work, which is fitting considering that the setting and plot is identical to Assault on Precinct 13 – the sergeant’s name is even cribbed from Kurt Russell’s character in The Thing. Plus it has some creative gore to marvel at – a table leg forced into an eye-socket, a face made to kiss a shoe-buffer, and a broken window decapitation are some highlights. Brian O’ Malley: one to watch.


15. Kill List (2011, UK)


An allegory for the current British recession, Ben Wheatley’s Kill List is an bile filled, reactionary black mass of a film. Neil Maskell’s Jay is an husband and father whose been without work for eight months, money is low and tempers are high. A barely restrained dinner party ends in domestic discourse, but also a deadly job offer for Jay – the titular Kill List. A priest, a teacher and an MP all symbolising the apparent downfalls of society that need to dealt with in the least subtle fashion possible.

With a cast culled from the best of British television talent, and using mostly residential settings, Wheatley creates a micro-budget horror that never looks cheap. What elevates the film from a standard thriller is how unsettling everything is: the jarring jumps and cuts to black, the droning score, the abrupt leaps into violence all keep the viewer unsure and uneasy. The film’s signature hammer execution is only a preface for the depraved shocks to come. The similarly sinister Sightseers and A Field In England continue Wheatley’s particularly British set of horrors, but Kill List wins out by sheer bloody-mindedness.



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  • Rudi

    Nice list! I would however use the original titles when you make an “exotic” list like this one. For instance High Tension’s real title is Haute Tension and most Americans call it Switchblade Romance.

    Besides that I agree with most of the list and definitely with the number 1, that one’s a no-brainer. One movie I didn’t get (although I wanted to) is Berberian Sound Studio. I really tried, but found it plain boring.

    • Ashley PURPLE CAMERA

      Thanks, I kept going back and forth with the name thing, but you are probably right – if people are wanting to watch European films they won’t be scared off by foreign titles.

      Berberian Sound Studio is probably the least instant of the films listed, first time I watched it I didn’t quite understand what I’d seen, but knew I wanted to, so I gave it another try. I think its list worthy due to how different it is, but not everyone will agree.

      • Paul Scott Thomas

        might try that myself. didn’t really know what I watched

    • spy13

      High tension is just fine, I know more folk that use that title than haute, and I never hear switchblade romance other than the first time I viewed it

  • Melinda

    Antichrist? Berberian Sound Studio? The Skin I live In? Horror flicks? I know film is subjective, but dayum….Dustin Hoffman was right.

    • Ted Wolf

      I can see TSILI being the most horrific of those three and Kill List really didn’t impress me as horror–gripping yes, but horror no.

  • Alex Nasaudean

    Dead Snow belongs on the list, not just as an honorable mention.

  • MJ simpson

    An Indian film which I was impressed by called FIRED, really was a mind bender. check the trailer and my review

  • Christoph

    Very nice list!
    Having seen just 6 of the movies yet, I’m looking forward for the rest. However, since opinions are like something everyone has, I made up a Top 10 by myself. Here we go… (for dramatic reasons from 10 to 1)

    10. The Woman In Black (UK, 2012)
    I know, not everyone favourite. But I’m kinda into the Victorian age set-up. Reminds me somehow of the good old Hammer style.

    9. 28 Days Later (UK, 2002)
    An essential zombie flick. The author of the article above has said many right things about it!

    8. Rammbock (Germany, 2010)
    Now this is an insider tip! This intimate play style German zombie movie turn out really chilling.

    7. L’étrange couleur des larmes de ton corps / The Strange Colour of Your Body’s Tears (Belgium, 2014)
    One hell of a trip of a movie! Maximum over-styled, hard to follow and still having you on the edge of your seat. I really can’t describe it. You have to experience it.

    6. Let us prey (Ireland, 2014)
    Very underrated. I’m glad the author put it in the list.

    5. Berberian Sound Studio (UK, 2012)
    Same here.

    4. Argento’s Dracula 3D (Italy, 2012)
    OK, that’s an arguable one. 2 title I already mentioned have clear and open Argento references (#7 and #5) – so here come the original! This late work from the old master received some very bad reactions, but that
    shouldn’t stop anybody from giving it a try! But you got to be willing to expose yourself to something very different. I think many viewers mistake the overly artificial approach with bad movie making.

    3. Shaun of the Dead (UK, 2004)
    Yeah, I know, comedy and so. But it really works very good as a horror flick! And it’s just great, how much love they put in it, making it a real treasure for zombie film aficinados.

    2. Only Lovers Left Alive (Somewhere in Europe, 2013)
    I really miss that one on the original list. Don’t say it’s not horror enough – you got Antichrist and The Skin I Live In on it!

    1. Låt den rätte komma in / Let the right one in (Sweden, 2008)
    Not having seen Martyrs, I simply agree with the author on that on. 😛

    Hope you have some fun with my small list!

    • Ashley PURPLE CAMERA

      You certainly love vampires and zombies! The Woman in Black was briefly in my list, but knocked out for Berberbian, while I didn’t realise that Only Lovers Left Alive was a German, UK, French and Greek co-production until your mention.

      I am yet to see Body’s Tears or Argento’s Dracula, I don’t doubt the former’s greatest (Amer is lush), but I fear Dracula will ruin my opinion of Argento who I adore but as yet I’ve still not seen anything of his past Opera, but with your recommendation I might give it a try. Good list.

  • Vincenzo Politi

    Please, please, please: it’s “Profondo Rosso”, NOT “Profundo Russo”!!!

  • Pingback: 20 najboljih evropskih horor filmova 21. stoljeća | Filmonizirani()

  • Stephen Fox

    Really hope that there is a sequel to Let Us Prey that opening was brilliant and what followed was superb.

  • Nahuel Benvenuto

    fuck the spoilers

  • Nahuel Benvenuto


  • applecore

    Calvaire (The Ordeal) 2004, Enter the Void, Just Another Love Story … these should by on the list too!

    • spy13

      Enter the void?

  • Stephus

    There are many movies on this list that are not horror like a Serbian film that is more like a statement against censorship, or amer that is more like a atmospheric experimental thing. Kill list is the most predictable movie ever!! It’s bad. Many of these movies has gray suspense but are not really horror. Movies like death snow should have been here

  • spy13

    Frontiers and calvaire

  • Maurice A Tillman

    There’s is huge difference between horror and gore porn. Gore porn is not scary. It just disgusting. Good horror builds tension and makes audiences feel uncomfortable based on fear and the element of surprise.

    The first REC is an great example of a “horror” movie. Every move the main character made felt unsafe and the tension NEVER ended. I was at the edge of my seat from beginning to end.

  • Emir Kusturica

    Where’s Good Night, Mommy??