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The 20 Most Hauntingly Beautiful Black and White Movies

08 December 2014 | Features, Film Lists | by Brett Lamminen


The term “hauntingly beautiful” refers to a more poeticized aesthetic where there is an unusual intermingling of light and dark, both literally and subjectively. Black and white films have the potential to perfectly capture this marriage of binaries, offering both subtle and blatant juxtapositions in which polar opposites coexist perfectly with one another. These films contain extremes that are not easily deciphered, where moments of sublimity deceptively harmonize with the darker sides of the human condition.

This list exemplifies films where the importance of style parallels, or at times, eclipses, the substance of the story itself. There are many genres of film represented here that exude the hauntingly beautiful aesthetic: film noir, horror, war drama, fantasy, period dramas, science fiction, and suspense.

The common thread to this list lies in one of the most important characters to its story—the setting. Whether it’s the city nightscapes of The Third Man and Elevator to the Gallows, or the macabre interiors of The Innocents and Vampyr, the places in these films are integral in creating a specific mood and atmosphere.

All of these films are influenced to some degree from German expressionism insofar as realism is discarded in favor of external spaces that reflect the inner spaces of the human psyche. Therefore, it would only be necessary to begin the list with one of the seminal works of German expressionism in Metropolis.


1. Metropolis (1927)

D: Fritz Lang/C: Karl Freund, Gunther Rittau, Walter Ruttmann


Metropolis is a cautionary tale about the perils of an increasingly technologized society, and the growing divide between socioeconomic classes. In Metropolis, the wealthy live lavishly above ground, while the working class, who are responsible for all manual labor, dredge along beneath the city streets. Freder, the son of an entrepreneur, falls in love with a working class woman and attempts to bridge the divide between the wealthy and poor.

Metropolis manages to juxtapose beauty with the pessimistic themes of urban decay and the loss of humanity via technology. The German expressionist aesthetic captures the gritty reality of 2026, a dystopian city where the lower class have become a class of worker slaves in a world extinct of a middle class. On the flip side, the city of Metropolis is filled with imaginative sets that balance the beauty of Art Deco as evidenced by the design of the city itself within the larger context of the German expressionist aesthetic.


2. Vampyr (1932)

D: Theodor Dryer/C: Rudolph Mate


Allan Gray is summoned by ghostly shadows to a castle next to an inn where he has taken respite for the evening. Gray discovers that a Vampyr has victimized a woman, Leone, who has fallen ill in a nearby manor. Gray attempts to destroy the Vampyr and other menacing forces that are present in the village.

From the opening shot of the film, Vampyr takes on a dream logic where the traditional, linear storytelling is replaced by a more impressionistic approach. Dreyer famously filmed scenes with a gauze over the camera lens to create a more otherworldly sensibility to the chilling story.

The shadow ghosts, ferryman, and weathervane create a more subdued terror than contemporary horror films. Like many other films on this list, Vampyr moves at a more glacial pace which affords the film to reveal its mysteries in a much more dramatic manner. For a movie over 80 years old, Dreyer’s Vampyr still feels fresh and innovative.


3. Beauty and The Beast (1946)

D: Jean Cocteau/C: Henri Alekan

Beauty and the Beast

A woman lives with a monster in his castle in order to save her father’s life. In the process, Belle goes from repulsion to adoration by the Beast’s presence. Belle’s loyalty is tested as she is given a one week reprieve to visit her ailing father.

The beast’s castle possesses some of the most inventive sets in all of cinema. With the animated statue busts by the fireplace, the arms sticking out of the hallways with candles, or the decorative bedroom filled with flowers and plants, Beauty and the Beast is a showcase of the limitless potential of the imagination.


4. The Third Man (1949)

D: Carol Reed/C: Robert Krasker

the third man cinematography

Holly Martins, a writer of crime fiction, finds out his friend has been murdered when he arrives in Vienna. As he begins to inquire into his friend’s death, Martins begins to realize that the events surrounding his death don’t add up.

The real star in The Third Man is the nocturnal cityscape of a Post WWII Vienna. With the slick cobblestone, stone statues, and iconic underground sewer scene, The Third Man is one of the most stylistic of all noirs. Adding to the mysteriousness of the film is Martins’ missing friend, Harry Lime (played by Orson Welles) who doesn’t show up until well into the second half of the film. Like the other movies on the list, The Third Man is a completely immersive experience and one that maximizes its setting to the fullest.


5. Sunset Boulevard (1950)

D: Billy Wilder/C: John F. Seitz


Joe Gillis, a down-on-his-luck writer, stumbles upon an aging movie actress, Norma Desmond, from the silent era of film. As the outside world slowly trickles into Desmond’s insulated world, she becomes increasingly delusional about making a comeback as a movie star.

Joe Gillis stepping into Norma Desmond’s mansion marks the beginning of his slow descent that delves deeper and deeper into the rabbit hole. In this case, Wonderland is Desmond’s mansion, a space frozen in the past.

The gothic mansion is filled with an abundance of extravagant décor (including countless framed photos of herself), revealing Desmond’s past as one of indulgence and excess. Sunset Blvd addresses the darker side of fame as many silent movie stars in Hollywood found themselves unemployed when film merged with sound.


6. Ugetsu (1953)

D: Kenji Mizoguchi/C: Kazuo Miyagawa


The patriarchs of two families possess misguided aspirations during the Civil War of the 17th Century. In the process, the husbands’ families suffer the consequences of their selfish actions.

Ugetsu is a cautionary tale of the destructive nature of compromising one’s morals in the pursuit of earthly desires. As Genjuro states towards the conclusion of the film, “The war drove us mad with ambition.” With one husband running off in dreams of becoming a samurai while the other husband becomes obsessed with selling as much pottery as he can possibly manage, both men are blinded by their respective lusts.

As the story progresses, the real world begins to merge with the fantasy realm, and this intermingling of the real versus the unreal creates some otherworldly images such as a boat floating across a foggy river to suggest crossing a threshold into the supernatural.



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  • FunnyFaceKing

    My favorites are Hiroshima Mon Amour (1959), Diary of a Country Priest (1951) and The Browning Version (1955).

  • Kriss_Kringle

    Other than the scenes where Deneuve is going insane,Repulsion isn’t all that beautiful.Pale flower could have easily taken that spot,since almost every shot is downright gorgeous.

  • Alex Nasaudean

    Check out the Romanian film Padurea Spanzuratilor (Forest of the Hanged) and Bela Tarr’s Satantango.

  • Alexandre Schink

    The modern fllm “A Field in England” belongs on this list, despites it’s recent existence, it’s basically a pictural poem in black n white.

  • krone888

    “White Ribbon” is good too.

  • Ari

    No Bela Tarr? Werckmeister Harmonies is one of the most beautiful black and white films ever made.

  • ginger89

    night of the living dead? the last man on earth? I know they cant put all of them on the list but these two should have made the list.

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  • I Am

    No bela tarr movies?

  • Guest

    No “Citizen Kane” or “Psycho”? And why didn’t this “article” have a byline?

  • Don sassano

    No “Citizen Kane” or “Psycho”?

  • Don sassano

    No “Citizen Kane” or “Psycho” or “Cape Fear”?

  • Iam_Spartacus

    Carnival of Souls is worth a mention, very creepy.

  • José Abel Salazar Lizárraga

    Beautiful selection. There are too many out there that deversed to be included. The Phantom Carriage need to be here somewhere also Begotten by E. Elias Merhige.

  • ladyofargonne

    If you’ve ever struggled with depression and acrophobia, you’d appreciate that scene in Replusion with the arms coming out of walls. And it stay with you forever.

  • Mark Smith

    No Fellini or Bresson?

  • Caio Bogoni

    Tough list. Still, “Schindler’s List” and “M” probably deserved a spot.

  • tkl60123

    Citizen Kane? Bride of Frankenstein?

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  • Andreas P.

    A solid list overall, but I think no. 1 is missing: “Andrey Rublyov”.

    I would also include “Woman In The Dunes”, “Soy Cuba”, “Rashomon”, “Ashes And Diamonds”, “Hiroshima Mon Amour”, “I Vitelloni”, “Le Plaisir”, “Down By Law”, “Satantango”.

  • Alex Huet

    Ascenseur pour l’échafaud (Elevator to the Gallows) and Soy Cuba could have make the list 🙂
    As well as Un condamné à mort s’est échappé (A Man Escaped).

  • Chandradeep

    I was expecting Bergman and Tarr films and Larisa Shepitko’s ‘Ascent’ also

  • Gavin Lawson

    I would include Fellini’s 8½, Eros plus Massacre, Vivre Sa Vie, Raging Bull, The Elephant Man and The Turin Horse. Good list though.

  • Pablo J Daroca

    schindler list?

  • Hache Rodríguez

    Kudos on the Bella Tarr comment and also, why only old school films? How about The man that wasn’t there and A girl walks alone at nicght? among others…

  • Eri Taide

    Nice list, i was expecting “Raging Bull” though…

  • Bill Buchanan


  • Matthew Sutton

    Superb list and I agree with every pick but it would’ve been nice to see Dr. Strangelove, the Train, 39 Steps, and Onibaba included as well.

  • bourgeoisie scum

    Dead Man by Jarmusch should be on here

  • Raphael Bruckner

    What about “Fail Safe” or “Dr. Strangelove or How I learn to love the Bomb” extremely Haunting movies for there time….. “The Seventh Seal” deserves to be higher than it is here……tastofcinema fails again