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10 Masterpieces of World Cinema Every Movie Fan Should See

11 April 2014 | Features, Film Lists | by Emilio Santoni

world cinema masterpieces

If you are serious about your love for cinema, you have got to know your essentials so it would be nice to compile a list of ten undisputed masterpieces from ten different nations. If you are a real cinema aficionado, you might have already seen all of these but maybe there are few that are still on your list of shame (i.e. classics you have missed). If you are a new lover of the art of film and haven’t seen all that much yet, these ten films are a great starting point.

It is of course impossible to be even remotely comprehensive when compiling such a list as many of these nations have produced a plethora of classic films and there are nations, which haven’t even been mentioned because we chose to stick to only ten. But for what it’s worth, you simply cannot go wrong with any of these ten movies and anybody with a serious passion for cinema would be advised to see all of them. At some point. Note: movies on this list are ranked in no particular order.


1. Germany – M (Fritz Lang – 1931)

m 1931

Fritz Lang’s first feature with sound, which he wrote with his wife Thea von Harbou, is an early example of a technically accomplished sound film and became a worldwide hit. The film was one of Lang’s last films in Germany before he departed to the United States in 1933 after having been offered to direct Nazi propaganda films by Josef Goebbles, who was unaware of his Jewish heritage.

The movie tells the story of a mentally ill child murderer, played by Peter Lorre in a magnificent breakthrough performance, who in 1930s Berlin is eluding police as they round up every criminal in the city they can find. This causes the Berlin underworld considerable grief and they decide to form their own hunting parties and when the killer is discovered, a young man manages to mark Lorre with a white chalk letter “M” (for Murderer) on the back of his coat. When Lorre is eventually caught, he is taken to a kangaroo court, where the Berlin underworld puts him on trial whilst the police is closing in.

m lang

Shot in expressive black and white, which manages to create a sinister nightly world with deep dark shadows in combination with remarkably fluid camera movement, the film also features fantastic use of sound; the killer is characterised by the tune he whistles and the murder of a child is not shown directly but suggested by a mother’s desperate cries and images of the child’s ball and balloon left abandoned. The film also has an almost documentary-type feel as it meticulously details the police’s procedures (using the then new techniques of fingerprinting and handwriting analysis). Also, there is an absence of non-diegetic music and some parts were actually played by real-life criminals for authenticity.

M is an undisputed masterpiece and Lorre’s monologue towards the end of the movie, as he pleads for his life in front of the kangaroo court, is simply one of the best monologues ever put on film. As well as being a film that bridges the silent era to the sound era of film, M’s German expressionism verges towards elements of Film Noir (Fritz Lang would go on to make a few Film Noir classics in the U.S. later on). M is a towering achievement and a must-see for any serious film buff.


2. Italy – The Bicycle Thieves (Vittorio De Sica – 1948)


Arguably the best Italian neorealist film ever made and certainly one in the upper echelon of world cinema, The Bicycle Thieves is a classic in the truest sense of the word. Italian neorealism was a post WWII film movement, which used location shooting, non-professional actors and dealt with the hard economic conditions of the working class during this time.

A poor family man, at the end of his tether, finally finds a job putting up posters in the days immediately after the end of World War II. The job, however, requires a bicycle and as the family have nothing of value left, they decide to pawn their bed sheets in order to be able to buy a bicycle. On the first day of the job, the bicycle is stolen which starts a frantic search by the father and his young son through the streets of Rome, attempting to find their sole means of survival.

The Bicycle Thieves

The film works on many levels: as a document of its era, as a sentimental drama, as clear social commentary and as a prime example of the neorealist movement; which was born out of necessity in post-WWII in Italy as there were simply no means to make movies. Filmmakers were forced to tell simple stories dealing with the after-effects of the war on ordinary poor people, whilst shooting on location and with non-professional actors. This movie received the Oscar for Best Foreign Film seven years before they officially came up with that category; it’s that good!


3. India – The Music Room (Satyajit Ray – 1958)

The Music Room

Satyajit Ray, India’s most celebrated director, was at the height of his game in the late fifties. After he made the first two entries in his renowned Apu Trilogy, he managed to find the time to direct The Music Room before finishing his trilogy in 1959. The Music Room was a failure upon its initial release but it has since taken its place amongst Ray’s greatest works. Whilst the Apu Trilogy might be his best known and most critically praised work, I decided to select The Music Room for this list as it is a stand-alone film and is just as good as any of the films in the Apu Trilogy.

It tells the story of Huzur Biswambhar Roy (Chhabi Biswas), a middle-aged aristocrat in India. Huzur’s fortunes are waning but he holds on to his pride and tries to maintain his social status and heritage by throwing lavish music parties in his mansion’s music room, even though he cannot afford them. His wife tries to keep him from spending their last resources but Huzur doesn’t listen and spends huge amounts of money on a party for their son who is coming of age. Then tragedy strikes and Huzur goes into deep depression until a shrill social-climber tries to outdo him and he decides to give one last grand party in his music room.

The Music Room 1958

The film initially received poor reviews in India but when it was released in the West, it was met with critical acclaim and financial success. The first film to extensively use Indian classical music and dancing, the film features a number of truly memorable performances by some of India’s top musicians at the time. A stunning drama with a marvellous performance by Chhabi Biswas, who manages to make an extremely arrogant and foolhardy man remain sympathetic throughout the entire film, and an analogy for a class which was disappearing from India, The Music Room is certified classic cinema and just as stunning as Ray’s celebrated Apu Trilogy.


4. France – La Grande Illusion (Jean Renoir – 1937)


One of the best war movies (or like all great war movies, an anti-war movie) ever made, La Grande Illusion is a humanistic masterpiece of poetic realism.

The story deals with two French men, one an aristocrat called de Boeldieu (Pierre Fresnay), the other a working class man called Maréchal (Jean Gabin), whose plane is shot down by German aristocratic aviator von Rauffenstein (Erich von Stroheim) during World War I. They survive and are invited for lunch by von Rauffenstein, who discovers he shares mutual acquaintances with the French aristocrat; a clear sign that these men might have more in common than they differ from each other. Both men are then transported to a POW camp where amongst others, they meet a French Jew called Rosenthal who generously shares his food rations with others. They make various plans to escape but just before they finish an escape tunnel, everybody is transported to another camp.

The men are moved to a few different camps and finally end up at Wintersborn; a mountain fortress prison commanded by Von Rauffenstein. During the time of incarceration, the two aristocrats from different nations almost become friends until Boeldieu acts as a distraction in order to let his friends escape, and von Rauffenstein is forced to shoot him. He regrets this greatly and as he nurses de Boeldieu during his last hours, the men mourn the disappearance of their class, which the war will bring about. Meanwhile, Maréchal and Rosenthal travel across Germany trying to reach safety until they finally reach Switzerland.

La Grande Illusion film

The title of the film was taken from the book The Great Illusion by economist Norman Angell, who argued that war was futile because of the common economic interests of all European nations. The film examines the absurdity of war, the decline of aristocracy across Europe and the bond of humanity which we all share. It has been said that Renoir specifically created the character of the Jewish Rosenthal as a symbol of humanity across class lines and to also counter the rise of anti-Semitism in Hitler’s Germany.

La Grande Illusion received a “Best Artistic Ensemble” prize at the 1937 Venice Film Festival despite being banned in Italy and Germany. However, the greatest acknowledgement of its potent message was that Joseph Goebbels declared the movie: “Cinematic Public Enemy No. 1” and ordered all prints to be destroyed. One of the greatest films ever made and an absolute must-see for all lovers of cinema.


5. Japan – Tokyo Story (Yasujirô Ozu – 1953)


Tokyo Story is often seen as the crowning achievement of Japanese director Yasujirô Ozu’s oeuvre, a body of work which is littered with masterpieces anyway.

The story is deceptively simple: an elderly couple travels from their village to Tokyo to visit their children who live and work in the capital. Once there, it becomes obvious that their eldest son and daughter don’t have time for them as they are too busy with their respective jobs. The only person who actually takes time out for them is their widowed daughter-in-law, who treats them kindly and shows them the sights of the big city. Their older children arrange a visit to the Atami Hot Springs for their parents but they feel like they are just being kept out of the way and soon return to Tokyo disappointed. They decide to go back to their village but during the trip back the elderly mother gets gravely ill and it might be too late for their children to make amends.

Tokyo Story film

A story about modern urbanization and changing values in Japan after the war, Tokyo Story is a truly beautiful film in which the director, in his trademark style, focuses on the little details, often keeping the camera running after the actors have already left the frame. This quiet and silent approach, in combination with the static low-angle framing and the languid pace of the movie, have an almost meditative effect and the film gracefully depicts the relentless passing of time and man’s inevitable fate.

A true masterpiece of cinema, Tokyo Story often rightfully shows up in polls as one of the best films ever made. A film everybody should see at least once in their lives.



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  • Bergmarque

    The Cranes Are Flying, one of my favourite films, love it so much

  • Dris

    Very good list, these are all masterpieces indeed.
    But I am really disapoointed to not see a single hungarian filmmaker on it.
    Béla Tarr, Miklós Jancsó, István Szabó, George Cukor…?

  • Pingback: 10 Masterpieces of World Cinema Every Movie Fan Should See (Part 2) | Taste of Cinema()

  • Nick

    What about “The Saragossa Manuscript “?

  • Sprinter

    Det sjunde inseglet (The Seventh Seal) might possibly be the worst and most boring film I have ever seen. I enjoyed Smultronstallet (Wild Strawberries) by Bergman much more.

  • Ted Wolf

    there are a couple on this list I haven’t seen (but have been urged to). Very good list of some of the world’s greatest. It’s funny but it appears they’re all black & white! I love black & white cinema.

    • Wolfstarking

      Great to know you love black and white cinema. It’s such a shame how many young people don’t even want to look at them but it only proves how ignorant they are. Black and white cinema is essential it would be like not appreciating classical music.

  • padraigcolman

    Is Tati in there?

  • Ian

    Thank The Lord 8 1/2 was not included and Last year In Marienbad—-Both are utter nonsense.

    • Wolfstarking

      What? 8 1/2 nonsense? You just disappointed me with your “knowledge” of film. That film is an example of pure filmmaking language, it’s an essential film for the filmmaker. I could understand if you said I don’t like it but call it nonsense it’s not ok. At least you have to appreciate what that film is and what has achieved.

    • Brian Lussier

      Better 8 1/2 than La Dolce Vita! Most overrated masterpiece of all time! 3 hours where NOTHING of importance happens, where characters don’t evolve, where there’s no story or character arc! It’s just like filming a day in my life, which would be a VERY boring film! And they call it art!

  • Joseph-Brian Mathabela

    Andrei Tarkovsky? Robert Bresson?


      Sokurov? Haneke? Agnès Varda?

      Catherine Breillat?
      Claire Denis?
      Ousmane Sembène?

      • Johann S.

        I like them, I like you.

  • bumboclot

    Those are great calls, and not always the most obvious. Cranes Are Flying instead of Potemkin? I’m down with that. The only one I’d change is England. Either go for the obvious Third Man, or pick any Powell/Pressburger classic, let’s go with Life and Death of Col Blimp.

  • Usman Latif Khawaja

    only agree with cranes are flying rest need to be revised a poor list of movie but makers are good

    • Wolfstarking

      What? What about The seventh seal? And Viridiana. Bergman and Buñuel are essential.

  • Daniyal

    How dare you not include Iranian filmmakers?

    • Ghasem Najjary

      That’s what I’m thinking. I think ” A Separation” would be the perfect choice for introducing Iranian cinema.

      • Joel Zachariah

        manuscripts must burn

  • blissismyname

    Viridiana is a Mexican film, not Spanish.

    • vitoscano

      Mexican Film, Spanish Director

      • Jose Alberto Hermosillo

        Luis Buñuel was born in Spain but he got the Mexican citizen-ship.

    • Rafael Ramz R

      Spanish film! Only the principal actress is mexican, Silvia Pinal, it was shot in Spain.

      • Tonatiuh Galaz Lamarque


  • Great compilation… as much as I am happy to see films of Ozu, Lang, Bergman, Bunuel, Ray, etc. on the list, I am utterly disappointed to find no film of Kurosawa and Fellini on this eclectic list.

    Here’s my list of all time best films compiled for my blog, ” A Potpurri of Vestiges”:

  • Nejc Kovač

    Tarkovsky, Kurusawa, Kieslowsky…???

  • Gwynplaine Le Mat

    I’d like to suggest a film from greece that i believe that’s in line with the spirit of this list…”the ogre of athens” directed by Nikos Koundouros

  • Lutz Bacher

    Max Ophuls: The Earrings of Madame de…?

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  • williamdais

    10 depressing masterpieces, with tragic vision. But masterpieces alright. I guess to be “art” and a film, versus a movie, the narrative has to look into the abyss and offer little hope for humanity. Going to go watch some good old movies now.

  • Bryton Cherrier

    I would’ve preferred Seven Samurai instead of Tokyo Story honestly.
    I mean, think about it. It’s the most well known Japanese film in the western world.

  • gustavomda

    I think citizen kane should be left out in favor of another country’s movie.
    Does it really need any more recomendation?

  • Susan F

    All are essential. I have seen them all, but The Cranes are Flying is hard to find except by purchasing it. I saw it at Westchester Community College at a classic film series when I was living in that magnificent county. Its available on DVD. Criterion collection.

  • Ayuj Consul

    Satyajit Ray is a brilliant person to represent India, but I’d love to see some Kashyap too! Maybe Gangs of Wasseypur or Ugly…

    • Choudhury Sayak

      Ha ha!! Good joke!!! Lol

    • Abhishek

      So you want Anurag Kashyap to represent Indian movies. Kashyap is just a mediocre director with his mediocre movies IMHO. Yes, I agree with GOW might have a fair chance to be included in this list and rest none of his films!

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  • paul blanchfield

    Wheres the Adam Sandler movies!??

  • Maximus Decimus

    wonderful list ,completely satisfied ! if i had to add one more it would be ‘ Man With A Movie Camera by Dziga Vertov’

  • Diego Mejía

    México. Vámonos con Pancho Villa – Fernando de Fuentes

    • Iván Solorio (SanS)

      o tan siquiera Los Olvidados

  • Benigno Moon

    Ousmane Sembène – Xala

  • FlixtheCat

    No Kryptonian cinema? Monsters.

  • Miltos Ieremiadis

    from russia it should be “ivan’s childhood”

  • Nandajan Kanjirampallth

    Good films listed but is there any Masterpiece in the world after 60s or to become a Masterpiece is 50 yr oldness matter

  • Tim Dominic Dill-Peterson

    thanks for the massive spoiler on citizen Kane