The 15 Best Uses of Preexisting Film Scores In Tarantino’s Films

Few directors can drop music into their films quite as deftly as Quentin Tarantino, who wields his home album collection with the expertise of Zatoichi handling his walking stick. This is the man who edited Uma Thurman dancing to Urge Overkill and slicing up to Santa Esmeralda—and Michael Madsen doing both to Stealers Wheel. Even […]