Pulling Focus: Double Indemnity (1944) & Kiss Me Deadly (1955)

Double Indemnity (1944)

“Since Double Indemnity, the two most important words in motion pictures are ‘Billy’ and ‘Wilder.’” – Alfred Hitchcock   Double, double, toil, and trouble Depending on who you ask, Double Indemnity –– one of the earliest A-budget studio noirs –– and the hard-boiled desperate dame and greedy man at its black and broken center, may […]