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10 Great 1990s Movies You May Have Missed

20 September 2017 | Features, Film Lists | by Christian Klosz

5. The Ninth Gate (Roman Polanski, 1999)

The Ninth Gate

Roman Polanski has filmed all-time classics like “Rosemary’s Baby” and “Chinatown”, but after scandals and troubles, his artistic work has drawn less attention than his private persona. That could be one explanation why “The Ninth Gate”, a morbid and atmospheric occultist thriller starring Johnny Depp, got almost no recognition when it was released in 1999; or at least, not the recognition it deserves.

The plot evolves around Dean Corso (played by Depp), an antique books expert with a, let’s say, weak sense of morality, who gets hired by Boris Balkan (Frank Langella), a wealthy aristocrat with a faible for Satan, who is more than willing to use convincing “financial arguments” to get what he wants. He hires Corso to find three copies of the dubious and legendary “Book of the Nine Gates” which is supposed to be written by Satan himself.

Corso gets deeper and deeper into a self-inflicted swirl, until he can’t be sure anymore if he is still the master of his own senses – or if some other master has already taken control.

“The Ninth Gate” is a successful return for Polanski to the topics that once made him famous: occultism and Satan. Depp delivers a fine performance as Dean Corso, and the haunting soundtrack supports the gloomy mood and atmosphere that can be experienced throughout the whole film. In addition, “The Ninth Gate” is an interesting film about the fascination and obsession of collecting, and the perverted likings of a decadent (European) upper-class.

 

4. Crimson Tide (Tony Scott, 1995)

Crimson Tide

Blockbuster films can never be completely “forgotten.” But if you compare the reputation of other Tony Scott flicks (such as “Top Gun”, “Beverly Hills Cop” or “True Romance”) to that of “Crimson Tide”, one can rightfully use that adjective. This deep sea drama must be called one of his best, if not his best film, and it is both a highlight of powerful directing style and convincing acting.

Gene Hackman and Denzel Washington star as two contrary character high-rank Marine officers who are assigned to lead the crew of an American submarine during a maneuver. While everything seems fine at first, an unexpected Russian missile attack causes chaos on board. Decisions have to be made, but as the two protagonists don’t “concur” about how to handle this dangerous situation, this conflict sparks a series of uncontrollable events; a veritable problem under the given circumstances.

The onstage conflict culminates in a highly intense and breathtaking acting duel between Washington and Hackman, while Scott takes advantage of his great directing skills to shape it into a highly entertaining piece of cinema. There are few movies out there that are as exemplary a display of the masterful use of camera techniques, cinematic “tools” and special effects as “Crimson Tide”.

 

3. Cape Fear (Martin Scorsese, 1991)

Max Cady (Cape Fear)

The follow-up of the triumphant “Goodfellas” somehow went underwater, maybe because a classic suspense-thriller was not what the audience expected from Martin Scorsese, the director of mafia classics and creator of troubled film characters.

Nevertheless, “Cape Fear” is an underrated masterpiece; it is the brilliant remake of a 60’s B-movie that takes an original plot – and adds intensity and gripping suspense. Robert De Niro portrays Max Cady, a convicted criminal who is discharged from his 14-year prison sentence.

But he is not happy – he wants revenge from his former lawyer, Sam Bowden (Nick Nolte), who had suppressed evidence about his former client, and thus did not do everything “in his power” to help him. So, Cady’s only goal, only destiny, is to destroy the lawyer’s life as he feels his life has been destroyed; he wants to take revenge for his “betrayal” and make the lawyer “learn about loss,” as he says in one memorable scene.

“Cape Fear” is a powerful thriller, and a reflection about the “ultimate evil” and what effort one must employ to repel it. At the same time, this most gripping of all Scorsese films is a profound moral tale about guilt, loss, and justice. It is, at the same time, highly entertaining and a “torture” to watch; there are not many films out there which are able to convey a feeling of a subtle threat and suspense in such an effective and brilliant way.

 

2. Leaving Las Vegas (Mike Figgis, 1995)

leaving-las-vegas-1995

Nicolas Cage has made many, many bad films. “Leaving Las Vegas” is not one of them – on the contrary, actually. It is a small, almost intimate portrayal of a desperate alcoholic who travels to Las Vegas with only one purpose in mind: to drink himself to death.

Based on a true story, Cage delivers the performance of his career. While his portrayal of Ben Sanderson is pure overacting, Elisabeth Shue gives a finely nuanced account of “Sera”, a prostitute who accompanies Ben on his last days and falls in love with him.

In addition to a beautifully sad and moving script, the skillfully composed soundtrack marks another highlight of this film. Michael McDonalds “Lonely Teardrops” is a great song, while director Mike Figgis wrote large parts of the rest himself, including a sad and wonderful piano theme.

In general, what is most impressive about “Leaving Las Vegas” is that it does NOT need any big effects; it’s totally stripped down, and concentrates fully on the characters and their pain. It seems to be shot with cheapest equipment in low definition, yet it turns into such a powerful and existentialist portrait of human nature and suffering. Even in the greatest pain there is beauty.

 

1. The Insider (Michael Mann, 1999)

the-insider

When asked about the best Michael Mann films, most cinema buffs would answer “Heat”, maybe “Collateral”, a few will mention “Miami Vice” or “Ali”; at least these are his best known. But what about “The Insider”? Nominated for seven Oscars and not winning one – this film had a hard time competing against other great films released in the exceptional year that was 1999.

Nevertheless, this one is a true gem, an underrated masterpiece, and maybe the best Mann film of all time.

Russell Crowe delivers one of his finest performances, while another “acting giant,” Al Pacino, backs him up successfully. In “The Insider”, Mann, for the first time, engaged digital cameras, and the high-definition pictures are highly convincing.

“The Insider” is a melancholic tale about a not very amiable character, who just tries to do “the right thing” – and, by doing so, risks his own life, the life of his family, and all he has ever worked for. In addition to the visual brilliance, the film also allows, based on true events, an interesting insight into the mechanisms and corruption in the tobacco industry. A real forgotten masterpiece of the 1990s.

Author Bio: Christian Klosz is a film journalist and essayist from Vienna, Austria. His focus is American cinema, especially of the 1970s and 80s, “New Hollywood”, and “author´s film”. He is also the publisher of the online film magazine “Film plus Kritik”. His cinematic heros include directors like Martin Scorsese, David Cronenberg, Alan Parker, Brian De Palma, Clint Eastwood, Michael Cimino and many more.

 

 

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  • grootrm

    “In addition to solid acting, “Absolute Power” proves to be a strong and convincing tale about power and abuse of power. Considering the current political state of several countries, including the US, this is clearly (and sadly) a topic that never loses its actuality.”

    You are referring to the deep state, CIA, FBI, NSA, the DNC, spying on the citizenry, and the globalist financiers of terrorist groups like Antifa to break the country down, right?

    Trump is reducing regulations and shrinking the state, so you’re probably not referring to Trump about abuses of power, right?

    • Jules F. Melo Borges

      My…
      Not here on ToC, please.

      • Cosign this 100% – please take political discussions [literally anywhere] elsewhere.

        • grootrm

          Tell that to OP

      • grootrm

        OP already brought it to this site, thanks, I just expanded on it.

  • Mortimer

    Underrated jewels of 1990s cinema (english-speaking):

    Miller’s Crossing (1990)
    Dead Again (1991)
    Malcolm X (1992)
    In the Line of Fire (1993)
    Quiz Show (1994)
    Smoke (1995)
    Sling Blade (1996)
    The Ice Storm (1997)
    Elizabeth (1998)
    The Talented Mr. Ripley (1999)

    • bd

      ”Underrated”….

      • Miller’s Crossing (1990) – 91% ($5 box, minor noms)
      • Dead Again (1991) – 83% ($38m box, 1 Berlin nom)
      • Malcolm X (1992) – 91% ($48m box, won Silver Bear in Berlin, 1 Oscar mom)
      • In the Line of Fire (1993) – 95% ($177m box, 3 Oscar noms, 3 BAFTA noms)
      • Quiz Show (1994) – 96% ($24m box, 4 Oscar noms)
      • Smoke (1995) – 93% ($38m box, won Silver Bear in Berlin, and won Indie Spirit Award)
      • Sling Blade (1996) – 96% ($24m box, 1 Oscar win, 2 Oscar noms)
      • The Ice Storm (1997) – 84% ($8m box, 1 BAFTA win)
      • Elizabeth (1998) – 82% ($82m box, 7 Oscar noms, 1 BAFTA win, 1 GG win)
      • The Talented Mr. Ripley (1999) – 83% ($128m box, 5 Oscar noms, 1 BAFTA win)

      The only ones in this list that even begin to warrant being “underrated” are Millers Crossing and The Ice Storm. Time to go back to the drawing board fam.

      • Damn that’s a lot of effort just to show up someone’s comment.
        I appreciated anyone who adds a good addendum to ToC lists – and often watch more movies off those recommendations than the actual lists.
        I think @disqus_ABVeexSD83:disqus was going more for “Under Seen” by modern audiences. A simple, “Most of these are not underrated” would have sufficed.

        • bd

          It’s just banter really, haha. I’m familiar with Mortimer after seeing them around here some. Not meant to be mean spirited or anything. 🙂

          • I’ll just add, I like your well-thought, lengthy comments/write ups

    • Jules F. Melo Borges

      Underrated or Overlooked?

  • bd

    [1990] Abel Ferrera – King of New York
    [1991] Theo Angelopoulos – The Suspended Step of the Stork
    [1992] Tsai Ming-Liang – Rebels of a Neon God / Victor Erice – Dream of Light (The Quince Tree Sun)
    [1993] Manoel de Oliveira – Abraham’s Valley / Robert Altman – Short Cuts
    [1994] Béla Tarr – Sátántangó / Lars von Trier – Riget / Hal Hartley – Amateur
    [1995] Hou Hsiao-hsien – Good Men, Good Women / Hal Hartley – Flirt
    [1996] Jan Švankmajer – Conspirators of Pleasure / Jan Bucquoy – Camping Cosmos / Robert Altman – Kansas City
    [1997] Jafar Panahi – The Mirror / Alexander Sokurov – Mother and Son
    [1998] Manoel de Oliveira – Anxiety / Goran Paskaljević – Cabaret Balkan
    [1999] Veit Helmer – Tuvalu / François Ozon – Criminal Lovers

  • This is at least the third time – I can remember – that ToC has done an “Underrated 90s Movies” list. Not really a complaint, but I’d be curious to compare the other lists.

    • Kosta Jovanovic

      I think there is between 5 to 10 lists of this type

  • Rob Williams

    That must be a different film called ‘Awakenings’ to the one I saw!

    “No one really knows why or what happened to him, until Dr. Malcolm Sayer (Robin Williams), an innovative and sensitive doctor, finds a way to successfully treat his illness – with empathy and patience.”

    What about the massive doses of L-Dopa?

  • bd

    Abel Ferrera – King of New York (1990)
    Theo Angelopoulos – The Suspended Step of the Stork (1991)
    Tsai Ming-Liang – Rebels of a Neon God (1992)
    Victor Erice – Dream of Light/The Quince Tree Sun (1992)
    Manoel de Oliveira – Abraham’s Valley (1993)
    Robert Altman – Short Cuts (1993)
    Béla Tarr – Sátántangó (1994)
    Lars von Trier – Riget (1994)
    Hal Hartley – Amateur (1994)
    Hou Hsiao-hsien – Good Men, Good Women (1995)
    Hal Hartley – Flirt (1995)
    Jan Švankmajer – Conspirators of Pleasure (1996)
    Jan Bucquoy – Camping Cosmos (1996)
    Robert Altman – Kansas City (1996)
    Jafar Panahi – The Mirror (1997)
    Alexander Sokurov – Mother and Son (1997)
    Manoel de Oliveira – Anxiety (1998)
    Goran Paskaljević – Cabaret Balkan (1998)
    Veit Helmer – Tuvalu (1999)
    François Ozon – Criminal Lovers (1999)

    • Kosta Jovanovic

      You mentioned abraham’s valley and cabaret balkan, great!!

  • David Gutiérrez Díaz

    Just mention that “The Ninth Gate” is based in “The Dumas Club”, Writen by Arturo Pérez Reverte. His opinions may be cuestionable and his saga “El capitán Alatriste” really Cheesy, but his early books are worth the time 🙂

  • David

    The Age of Innocence (Martin Scorsese,1993).

  • Ricardo Correia

    A Borrowed Life, the 90s best film

  • Otto T. Goat

    Non-Stop (Dangan Runner) (1996). Three guys chasing each other on foot through the streets of Tokyo. For the whole movie.

  • Rublev

    Small Soldiers is a guilty pleasure