Bait – VIFF 2019 Review

Cornish writer-director Mark Jenkin has, with his debut feature film Bait, created a daringly original and unique film that feels like a found artifact from an antiquated era. Shot on 16mm black-and-white Kodak film stock with a 43-year-old wind-up Bolex camera, there’s an unmistakable Dogme vibe to Jenkin’s class clash picture (Jenkin’s authored a very […]

Babysplitters – VIFF 2019 Review

Writer-director Sam Friedlander’s refreshingly upbeat comedy sets its sights on the ambiguity couples often have over whether or not to have kids. Presenting itself as something of a modernized screwball comedy––and I’ll define that for people unfamiliar with the sometimes misused term; it’s a rom-com subgenre from the Golden Age of Hollywood that juxtaposes opposites […]

Deerskin – VIFF 2019 Review

Georges has a real killer look in writer/director Quentin Dupieux’s latest film, a batshit-beyond-all-reason black comedy/character piece called Deerskin. Dupieux, the deranged genius behind such wonderfully weird films as the absurdist horror tale Rubber (2010), and the irreverent comic mystery Wrong (2012) is no stranger to bizarre backroads and crackpot detours into the ludicrously far-out […]

Paradise Hills – VIFF 2019 Review

Vivid colors and chic camera choreography are beautifully bound together in the initial scenes of Alice Waddington’s feature length directorial debut, the erratic yet always elegant sci-fantasy Paradise Hills. But it’s a film that opens perhaps too big; Waddington playfully presents a richly imagined world that’s part musical, part mystery, and overfull with intrigue and […]