Love is a crime in Todd Haynes’ (Safe, I’m Not There) intelligent, agonizing, and incredible new film, Carol. Part revisionist melodrama and postmodernist Douglas Sirk-style weepie, Carol is adapted by Phyllis Nagy (Mrs. Harris) from Patricia Highsmith’s (Strangers on a Train, The Talented Mr. Ripley) 1952 pulp novel, The Price of Salt, itself a decidedly […]